{"id":10,"date":"2016-12-29T17:51:45","date_gmt":"2016-12-29T16:51:45","guid":{"rendered":"http:\/\/jdkrynen.com\/?page_id=10"},"modified":"2017-01-22T17:05:37","modified_gmt":"2017-01-22T16:05:37","slug":"autres-travaux-de-jean-dominique-krynen","status":"publish","type":"page","link":"https:\/\/jdkrynen.com\/index.php\/autres-travaux-de-jean-dominique-krynen\/","title":{"rendered":"Autres travaux"},"content":{"rendered":"<h4>traduction de l\u2019espagnol et pr\u00e9sentation fran\u00e7aise\u00a0:<\/h4>\n<ul style=\"list-style-type: disc; list-style-position: inside;\">\n<li>ECRITS SUR LA MUSIQUE ET SUR LES MUSICIENS de Manuel de FALLA<br \/>\n(introduction et notes de Federico Sope\u00f1a \u2013 Ed. Actes Sud, 1992)<br \/>\n<em>Prix Ren\u00e9 Dumesnil de l\u2019Acad\u00e9mie des Beaux-Arts<\/em><\/li>\n<\/ul>\n<h4><\/h4>\n<h4>traduction de l&#8217;italien :<\/h4>\n<ul style=\"list-style-type: disc; list-style-position: inside;\">\n<li>Bruno CERVENCA (1965) \u2015 LE CONTREPOINT DANS LA POLYPHONIE VOCALE DU XVIe SIECLE \u2015 trait\u00e9 de contrepoint riche de 463 exemples musicaux extraits du r\u00e9pertoire, de la Renaissance au pr\u00e9-Baroque<\/li>\n<\/ul>\n<h4><\/h4>\n<h4>orchestration\u00a0\u2015 arrangement :<\/h4>\n<ul style=\"list-style-type: disc; list-style-position: inside;\">\n<li>CINQ MELODIES d\u2019Ottorino RESPIGHI, pour voix et orchestre symphonique 25\u2019<br \/>\n(3.3.3.3.\/4.3.3+tuba\/perc.\/2ha\/cordes)<\/p>\n<ol style=\"list-style-type: upper-roman; list-style-position: inside;\">\n<li><em>Tempi assai lontani<\/em> (Shelley) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Respighi-1-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li class=\"less-margin\"><em>Canto funebre<\/em> (Shelley) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Respighi-2-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li class=\"less-margin\"><em>Par les soirs\u2026<\/em> (Fersen) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Respighi-3-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li class=\"less-margin\"><em>Par l\u2019\u00e9treinte\u2026<\/em> (Fersen) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Respighi-4-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li class=\"less-margin\"><em>La fine<\/em> (Tagore) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Respighi-5-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<\/ol>\n<\/li>\n<li>L&#8217;ISLE JOYEUSE de Claude DEBUSSY, pour 12 saxophones (3 sopranos, 3 altos, 3 t\u00e9nors, 2 barytons, 1 basse) <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Debussy-LIsle-joyeuse-12-saxs-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li>aus <em>SIEGFRIED IDYLL<\/em>, d&#8217;apr\u00e8s Richard WAGNER (version abr\u00e9g\u00e9e) pour quatuor de violoncelles <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Siegfried-Idyll-4tuor-celli-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<\/ul>\n<h4><\/h4>\n<h4>\u00e9dition\u00a0:<\/h4>\n<ul style=\"list-style-type: disc; list-style-position: inside;\">\n<li>r\u00e9vision (en collaboration) de plusieurs \u0153uvres in\u00e9dites de Manuel de FALLA<br \/>\n(<em>Chester Music<\/em> \u2015 Londres)\u00a0:<\/p>\n<ul style=\"list-style-type: circle; list-style-position: inside;\">\n<li>EL AMOR BRUJO (version originale 1915 et extraits pour sextuor piano-cordes)<\/li>\n<li class=\"less-margin\">FUEGO FATUO<\/li>\n<li class=\"less-margin\">EL CORREGIDOR Y LA MOLINERA<\/li>\n<\/ul>\n<\/li>\n<li>1\u00e8re \u00e9dition imprim\u00e9e de LA VIDA BREVE, op\u00e9ra en deux actes de Manuel de FALLA<br \/>\n(<em>Manuel de Falla Ediciones<\/em> \u2015 Madrid, 1999)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>traduction de l\u2019espagnol et pr\u00e9sentation fran\u00e7aise\u00a0: ECRITS SUR LA MUSIQUE ET SUR LES MUSICIENS de Manuel de FALLA (introduction et notes de Federico Sope\u00f1a \u2013 Ed. Actes Sud, 1992) Prix Ren\u00e9 Dumesnil de l\u2019Acad\u00e9mie des Beaux-Arts traduction de l&#8217;italien :<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/10"}],"collection":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/comments?post=10"}],"version-history":[{"count":17,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions"}],"predecessor-version":[{"id":503,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/10\/revisions\/503"}],"wp:attachment":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/media?parent=10"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}