{"id":303,"date":"2017-01-06T14:47:12","date_gmt":"2017-01-06T13:47:12","guid":{"rendered":"http:\/\/jdkrynen.com\/?page_id=303"},"modified":"2017-01-22T17:19:53","modified_gmt":"2017-01-22T16:19:53","slug":"1993-con-grazia-ed-intimissimo-sentimento","status":"publish","type":"page","link":"https:\/\/jdkrynen.com\/index.php\/catalogue-des-oeuvres-du-compositeur-jean-dominique-krynen\/1993-con-grazia-ed-intimissimo-sentimento\/","title":{"rendered":"1993 \u2015 Con Grazia Ed Intimissimo Sentimento"},"content":{"rendered":"<h4>1993<br \/>\nCON GRAZIA ED INTIMISSIMO SENTIMENTO <span style=\"font-size: 0.8em; font-style: italic;\">23\u2019<br \/>\nquatre \u00e9tudes-variations d\u2019apr\u00e8s l\u2019Intermezzo op.116 n\u00b05 de Brahms<\/span><\/h4>\n<ul style=\"list-style-type: disc; list-style-position: inside;\">\n<li class=\"less-margin\">1\u00e8re version*, pour quintette \u00e0 vents <a href=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Con-grazia-ed-intimissimo-sentimento-5tette-vents-specimen.pdf\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/jdkrynen.com\/wp-content\/uploads\/2017\/01\/Adobe-PDF-Document-icon.png\" alt=\"\" style=\"margin: 0;\" \/><\/a><\/li>\n<li class=\"less-margin\">2e version, pour deux pianos<\/li>\n<\/ul>\n<h5>pr\u00e9sentation<\/h5>\n<p>L&#8217;absence d&#8217;\u0153uvre pour ensemble \u00e0 vents dans la musique de chambre de Brahms est regrettable, quand l&#8217;on voit l&#8217;importance et le ton particulier qui leur ont \u00e9t\u00e9 donn\u00e9s dans des pi\u00e8ces comme le <em>Begr\u00e4bnisgesang<\/em> ou la S\u00e9r\u00e9nade n\u00b02.<\/p>\n<p>Sans \u00eatre pr\u00e9cis\u00e9ment brahmsienne, cette suite de variations, une fois arr\u00eat\u00e9 le choix de la pi\u00e8ce pianistique qui me semblait le mieux appeler la transcription, s&#8217;est impos\u00e9e \u00e0 mon esprit comme \u00e0 rebours, c&#8217;est-\u00e0-dire <em>aboutissant<\/em> au <em>th\u00e8me<\/em> au lieu de lui \u00eatre cons\u00e9cutif, ce th\u00e8me semblant \u00eatre lui-m\u00eame le produit d\u00e9cant\u00e9 d&#8217;un travail ext\u00e9nu\u00e9.<\/p>\n<p>Le titre est repris de l&#8217;indication de caract\u00e8re inhabituelle formul\u00e9e par Brahms en t\u00eate de son Intermezzo, ce qui \u00e0 tout le moins laisse \u00e0 penser qu&#8217;il \u00e9tait sp\u00e9cialement attach\u00e9 \u00e0 cette pi\u00e8ce \u00e0 l&#8217;\u00e9criture troublante, des anacrouses contrari\u00e9es et boiteuses \u00e0 l&#8217;harmonie fantomatique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1993 CON GRAZIA ED INTIMISSIMO SENTIMENTO 23\u2019 quatre \u00e9tudes-variations d\u2019apr\u00e8s l\u2019Intermezzo op.116 n\u00b05 de Brahms 1\u00e8re version*, pour quintette \u00e0 vents 2e version, pour deux pianos pr\u00e9sentation L&#8217;absence d&#8217;\u0153uvre pour ensemble \u00e0 vents dans la musique de chambre de Brahms<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":5,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/303"}],"collection":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":4,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/303\/revisions"}],"predecessor-version":[{"id":639,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/303\/revisions\/639"}],"up":[{"embeddable":true,"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/pages\/5"}],"wp:attachment":[{"href":"https:\/\/jdkrynen.com\/index.php\/wp-json\/wp\/v2\/media?parent=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}